Progress Update

I’m making steady progress on book 4 of Empire of Chains. After 4,000 words today, I have now written nearly 24,000 words in the last 9 days. Surprisingly, this pace feels comfortable for me. I aim for 2,000 a day, and anything over that is an extra bonus.

I’ve had my doubts as I go through this self-publishing process. This is actually the third time I’ve decided to go through it. I backed out the first two times, but I’m determined to see things through this time. That doesn’t mean it isn’t scary. It is probably the most terrifying thing I’ve ever done in terms of life choices.

Well, deciding to go back for a second round of college might compete there. But now I’m feeling really good about that decision.

I’m excited to finish this series. These characters and this story are originally from the first novel I ever wrote. By now, they feel like old friends. I completed the series once before, but I did not have the experience as a writer to do it justice. Now it has become a much stronger story, and I’m excited for people to read it.

Self-Publishing: Quality vs Quantity

I know this is one of the biggest debates in the self-publishing industry. Is it better to write and publish 4+ books a year because it creates more opportunities for readers to see your books and buy them? Or is it better to put your focus on 1-2 books a year and make them as good as you can before sending them out there?

I tend to be a fast writer. The 1,667 words needed per day for National Novel Writing Month have never been a problem for me. When I’m really in the zone, I can write 6,000+ words a day. My normal output is probably more in the 1,500 to 4,000 range. Because of this, I could theoretically put out 3-4 books a year.

But I have to ask myself if that’s the right thing to do. I need time to edit my books, and no amount of editing passes ever seems like enough. I always catch something I feel I could improve.

That being said, four months doesn’t seem like it’s too little to write and edit a book. If I’m writing at my general pace, the first draft shouldn’t take more than two months. Then I’ll probably leave that novel sitting for a month or two while I work on something else (either a sequel or another series). I can also edit one book while writing the first draft of another. So it wouldn’t be like my books only take four months. In truth, they take longer, but that includes time for them to sit and for me to look at them with fresh eyes each time I do an editing pass.

Personally, I’d like to find a middle ground in the quality vs. quantity debate. I want my work to be high-quality, but I don’t want to spend too long between books. The self-publishing business is very fickle, and if you drop off the radar, you often have to start all over again with your next book.

Thankfully, I already have a decent catalogue of novels I can publish right out the gates. Empire of Chains is a few editing passes from being ready. Sunweaver, the first book of another epic fantasy series, is in about the same place (though currently it’s on submission in the Angry Robot Open Door, which is why I haven’t talked about it much). I also have a first draft written of a third epic fantasy, tentatively titled A Song of War. It’s only been lightly edited at this point.

In addition to all that, I’ve already drafted books 2 and 3 of Empire of Chains, and I’ve started on book 4. I’ve also started on book 2 of Sunweaver.

Then there are all the ideas floating around in my head.

In truth, the ability to publish multiple books a year is part of what makes self-publishing so attractive to me. I have so many ideas, and I want readers to see them. At the same time, however, I do not want to sacrifice quality.

In the end, I’ll aim to get books out quickly, but not so quickly that I sacrifice quality. They will take however long they take.

But don’t worry. I have no intention of being George RR Martin and taking an eternity to write the next book in a series. Of course, my books aren’t nearly as long as his. Empire of Chains, my longest at 167,000 words, is just over half the length of A Game of Thrones, the shortest novel in Martin’s series.

In the end, it comes down to respecting the reader. This comes in two forms. On the one hand, you respect the reader by writing at a good pace and getting new material out there. On the other, you also respect the reader by giving them a quality product every time.

I’d like to come down somewhere in the same territory as Brandon Sanderson. He writes at a quick rate and publishes multiple books a year (unless he’s working on a Stormlight Archive book). The books, at least in my opinion, are consistently high-quality. That’s what I hope to be.

Thanks for reading this rambling discussion.

 

Embracing variety.

One of my biggest struggles as a writer has been the tendency to engage in all-or-nothing thinking. I can self-publish OR I can trade publish. I can write adult OR I can write young adult and middle grade.

Lately, I’ve been working hard to change those ORs to ANDs. That’s part of the fun of self-publishing. You don’t necessarily know what’s going to happen. One type of your writing could take off, and it might not be the type you expect.

I’ve also heard that variety can be very good for some authors in self-publishing. The more you put out there, the more you might attract readers to all of your work who might never have found it in the first place. I know I’ve sought out books outside my preferred genres if they’re by an author I like.

Thankfully, with my writing, I won’t be too crazy in my genre spread. Generally speaking, I write fantasy and science fiction across adult, young adult, and middle grade age categories. I figure I can’t be the only person who enjoys reading these genres regardless of the age group.

That brings me to another advantage of self-publishing. It’s given me the freedom to be the author I want to be. If one book doesn’t sell, I can always move on to another. Obviously, I’d like to make a good income from self-publishing, but that is no guarantee. At first, I’ll be content if I can make back the money I’m spending to publish the books (I’m talking cover art, editing, etc.). IMPORTANT: You should never pay a publisher to publish your book. You can do just as well on your own with lower costs.

At some point, I’m hoping I’ll see the positive effects of having a large backlist. From what I’ve read, that’s how most self-publishers achieve success. Once they have out a lot of books, people who like one book or series are likely to check out what else the author has written.

It’ll be a while before I reach that point. I’m a fast writer, but I’m not that fast.

For now, I’m hoping to enjoy the ride. As I stated in my last post, I’ve submitted a request for cover art. That process should start in mid January. I’m hoping to release Sunweaver sometime in February with Empire of Chains (the first in another series) following shortly thereafter.

I’ve also begun work on my middle grade fantasy series again. I know that MG is notoriously tough to self-publish, and that’s why I’m not starting out with it. If all goes according to plan with that, you might see its release sometime next summer.

Of course, there’s always the possibility that something else will grab my attention in the near future. I have a few YA ideas that are asking to be written. There’s also my other epic fantasy series, The God War.

In all, that’s going to be a lot to consider, but it should also be fun. After all, I’d write these books even if I couldn’t self-publish them.

Self-Publishing and Fear

I’ve had a busy work schedule recently, so I haven’t been doing a whole lot of writing. In the next week, though, I have a lot of time off, and I’ll try to use that to get back to work on The Shadowed Land.

I have to admit that I also went through one of my frequent doubtful phases. Taking the self-publishing plunge is a very difficult thing, and I’ve had a lot of back and forth on it. Mostly, it’s fear. Fear that I’ll fail completely. Fear that I’ll put too much on my plate. Fear that I’ll ruin my chances of trade publishing in the future.

But this is what I have to ask myself. Which is worse: all these fears, or never taking the chance? I believe in my books. People who’ve read my books believe in them. It can be difficult, though. If I’ve written something that’s good and entertaining, why haven’t I gotten even the tiniest nibble from an agent? It’s easy to tell myself my stuff must actually suck, but I doubt that’s really the case. The fact is agents are bombarded with hundreds and hundreds (sometimes even thousands) of queries. Standing out among these can be very difficult.

I will also admit that I’m not very good at writing queries. A lot of the appeal of my books comes from the fact that I take the common tropes of fantasy and put some new twists on them. It can be difficult to get these twists across in a query, so my books end up looking like yet another cliched fantasy story.

Then there’s the question of word count. Sunweaver is short enough, but Empire of Chains is not. Empire of Chains is about 164,000 words, and agents are hesitant to look at anything that gets over about 120,000. I’ve done all I can to make the book as short as possible. I’ve already cut 40,000 words out of it. It’s tightly written now, but agents might not see that. They’re inundated with epic fantasy submissions that are way too long because the other can’t write concisely.

By no means am I bashing the agents and publishing industry in general. It’s a very difficult job they have. They have to identity books that they think will sell, and there’s no set formula to this. That’s part of the reason that some very successful books almost never got published. Publishing will never be a perfect industry.

I’m not expecting to become a millionaire through self-publishing. That’s a foolish expectation, even with trade publishing. Many trade-published authors still have to keep their day jobs. Being an author is not a path to getting rich quick. We do it because we love it. I wouldn’t say no to becoming a mega bestseller, but I know it’s far from likely whatever route I take.

I’d be satisfied, for now, with making five to ten thousand dollars a year. That would allow me to make writing my part-time job while I’m going through school again. I know I’d like it a lot more than my current job in retail. But I’m not expecting this either, especially at first. Publishing of any kind is a long and difficult road. The challenges vary depending on which type of publishing you pursue.

But, once again, I don’t want to live my life wondering what might have happened.